![]() She’s definitely female and I’m excited to present something that is so obviously female.” Jackie is the embodiment of Fohr’s rebel femininity, her sexy, dangerous side, created as a fuck you to all the men who’ve ever tried telling her how to live her life. But alter egos always offer an unexpected flash beneath the flesh of their creators. Fohr is whimsical a smart, bookish musician with an existential streak – up until now she’s worked as Circuit de Yeux, producing ethereal, avant-garde folk music – while Jackie is straight-talking a no-bullshit country singer who has played the drugs trade and won. It’s true that at first glance they have little in common. Because Jackie is also Fohr, or Fohr is Jackie. ![]() ![]() That’s one answer, but it doesn’t tell the whole story. Jackie is currently ‘at large’ and on the road looking for Tom.” She took the reins in his business, got herself out of debt.” Left her in a lot of debt, fending for herself. They had a good time for a few years, and then he left. They quickly fell in love and she kind of got wrapped up in this drug trade he’s involved in. She took a Greyhound bus and on the way there she met a guy named Tom. Five years ago she moved to Chicago, to the South Side. “She was born and raised in Franklin, Tennessee. “Jackie Lynn is a woman two years younger than me,” she begins. ![]() “So, who is Jackie Lynn?” I ask Haley Fohr, and she smiles, smooths her long, purple hair over her shoulders and launches into a well-rehearsed narrative, reciting the autobiography of her alter ego in serious, measured tones that suggest we’re talking about someone real – which, it turns out, we almost are.
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